A CHILLING MURDER SHOCKS A SMALL WISCONSIN TOWN True crime writer Leah Nash is stunned when police investigating the murder of a beautiful young college professor focus on her ex-husband Nick.
True crime writer Leah Nash is stunned when police investigating the murder of a beautiful young college professor focus on her ex-husband Nick. Leah has no illusions about her ex, but despite his flaws, she just can’t see him as a killer. Reluctantly, she agrees to help Nick’s attorney prove that he isn’t.
But Nick’s lies make it hard to find the truth, and when a damning piece of evidence surfaces, Leah plunges into doubt. Is she defending an innocent man or helping a murderer escape? She pushes on to find out, uncovering hidden motives and getting hit by twists she never saw coming. Leah’s own flaws impede her search for the truth. When she finds it, will it be too late to prevent a devastating confrontation?
DANGEROUS FLAWS is the fifth standalone book in the Leah Nash series of complex, fast-paced murder mysteries featuring quick-witted dialogue, daring female characters, and plots with lots of twists and turns.
Susan Hunter is a happy introvert who lives with her husband Gary, an extreme extrovert, in rural Michigan.
She spent some years as a reporter and then as the managing editor of a small daily newspaper. From there Susan went on to work at a university in publications and marketing where she honed her skills at appearing engaged in academic meetings, while internally composing her grocery list. She also taught a few classes as well—in English composition, that is, not in faking your way through meetings.
Susan Hunter is a happy introvert who lives with her husband Gary, an extreme extrovert, in rural Michigan.
She spent some years as a reporter and then as the managing editor of a small daily newspaper. From there Susan went on to work at a university in publications and marketing where she honed her skills at appearing engaged in academic meetings, while internally composing her grocery list. She also taught a few classes as well—in English composition, that is, not in faking your way through meetings.